Home » Toronto Unveils Wavelengths & TIFF Classics Lineups With Films By Angela Schanelec, Radu Jude, Denis Côté & Lisandro Alonso

Toronto Unveils Wavelengths & TIFF Classics Lineups With Films By Angela Schanelec, Radu Jude, Denis Côté & Lisandro Alonso

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The Toronto Film Festival on Tuesday unveiled the 2026 lineups for it Wavelengths and TIFF Classics sidebars. The fest runs September 10-20.

The Wavelengths program – celebrating boundary-pushing filmmaking – will showcase 11 feature films as well as a selection of short and mid-length works.

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Feature highlights include At Night by UK artist Beatrice Gibson; Lisandro Alonso’s Double Freedom, a spinoff of 2001 breakout La Libertad; and Sebastian Brameshuber’s award-winning work London, exploring connection across a changing Europe and shot with vintage rear-projection technology.

TIFF regulars Nicolás Pereda and Angela Schanelec return with Everything Else is Noise and My Wife Cries, respectively.

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There will be world premieres for The Black Box is Orange, an essay film by Toronto-based filmmaker and artist Yuula Benivolski balancing the political with the poetic, as well as John Torres’ The Remotes, which refracts sci-fi, film noir, the thriller and Filipino commercial cinema through his own signature lens.

Non-fiction highlights include William and David Greaves’ posthumous historical documentary Once Upon a Time in Harlem and Life of Jorge Luis Borges, a five-and-a-half-hour epic by filmmaker Mariano Llinás, exploring explores the life of the iconic writer through objects and places.

Rounding out the feature lineup is Denis Côté’s Nobody’s Violence as well as Romanian auteur Radu Jude’s The Diary of a Chambermaid.

The short and mid-lengths lineup includes Kamal Aljafari’s Masao Adachi Takes a Passport Photo; Maryam Tafakory’s Ghazal-e Sorkh, an essay film recounting the 1976 boycott of the Shiraz Art Festival; and Zheng Lu Xinyuan’s nocturnal Fire Flies, in which the filmmaker is led on a flashlight-illuminated stroll through the mountains.

TIFF Classics highlights include a 4K director’s cut of Ken Russell’s The Devils, starring Oliver Reed and Vanessa Redgrave, and features sets by Derek Jarman, and Lynne Stopkewich’s transgressive whorl Kissed, starring Molly Parker, which premiered at the festival in 1996 and now returns in a new 4K restoration.

A sidebar entitled the Pelechian Project will also present five newly restored films by Armenian filmmaker and theorist Artavazd Pelechian.

Below are the lineups:

Features

  • At Night | Beatrice Gibson | United Kingdom, France
    North American Premiere
  • Double Freedom (La libertad doble) | Lisandro Alonso | Chile, Argentina, Luxembourg, Germany,
    United Kingdom
    North American Premiere
  • Everything Else is Noise (Lo demás es ruido) | Nicolás Pereda | Germany, Canada, Mexico
    North American Premiere
  • Life of Jorge Luis Borges (Biografía de Jorge Luis Borges) | Mariano Llinás | Argentina
    North American Premiere
  • London | Sebastian Brameshuber | Austria
    North American Premiere
  • My Wife Cries (Meine Frau Weint) | Angela Schanelec | Germany, France
    North American Premiere
  • Nobody’s Violence (Violence du corps de l’autre) | Denis Côté | Canada
    North American Premiere
  • Once Upon a Time in Harlem | William Greaves, David Greaves | USA
    Canadian Premiere
  • The Black Box is Orange | Yuula Benivolski | Canada
    World Premiere
  • The Diary of a Chambermaid (Le journal d’une femme de chambre) | Radu Jude | France, Romania
    North American Premiere
  • The Remotes | John Torres | Philippines
    World Premiere

Shorts

WAVELENGTHS 1: HOUSE AND HOME

  • Two Pids | John Smith | United Kingdom
    North American Premiere
  • After Image | Rita Ferrando | Canada, Argentina
    World Premiere
  • Moon Palace (月宫 ) | Jiaqi Yu | China, USA
    World Premiere
  • Microcosmic Orbit: Encased | Danaya Chulphuthiphong | Thailand
    North American Premiere
  • The Address Book | Mustafa Uzuner | Canada
    World Premiere | 16mm
  • Chronicle of Tiredness (Crónica del cansancio) | Natalia Marín | Spain
    North American Premiere

WAVELENGTHS 2: THIS SUFFOCATING NOW

  • Ghazal-e Sorkh (غزال سرخ) | Maryam Tafakory | Iran, United Kingdom, France
    World Premiere
  • TM | Takehisa Kosugi | Japan | 1974
    International Premiere of new restoration
  • Fire Flies (咒语 ) | Zheng Lu Xinyuan | China
    World Premiere
  • Splits in Two | Simon Liu | Hong Kong, USA
    World Premiere
  • This Suffocating Now | Vika Kirchenbauer | Germany
    North American Premiere

WAVELENGTHS 3: TIME AND TIDE

  • Forever…Forever | Johann Lurf | Austria, France
    North American Premiere | 70mm

    La Prospettiva (1653) | Ben Russell | France, Italy
    World Premiere

  • Electric Fragments No. 1 – Rom (Men) (Frammenti Elettrici No. 1 – Rom (Uomini)) | Yervant
    Gianikian, Angela Ricci Lucchi | Italy | 2001
  • Fevers | James Richards | Germany, United Kingdom
    North American Premiere

WAVELENGTHS: ANOUSHAHPOUR/ALJAFARI

  • Peacocks Come with the Clouds
    Parastoo Anoushahpour | Iran, Canada
    World Premiere
  • Masao Adachi Takes a Passport Photo (足立正生、パスポート写真を撮る
    Kamal Aljafari |Germany, France, Japan
    World Premiere
  • Ken Russell’s The Devils | Ken Russell | United Kingdom |1971
    North American Premiere of 4K restoration, courtesy of Warner Bros. Clockwork
  • Kissed | Lynne Stopkewich | Canada | 1996
    World Premiere of 4K restoration, courtesy of Canadian International Pictures
  • Report to Mother (Amma Ariyan) | John Abraham | India | 1986
    North American Premiere of 4K restoration, courtesy of Film Heritage Foundation
  • Spring in a Small Town (Xiao cheng zhi chun) | Fei Mu | China | 1948
    World Premiere of 4K restoration, courtesy of the China Film Archive
  • Ten Dark Women (Kuroi jûnin no onna) | Kon Ichikawa | Japan | 1961
    North American Premiere of 4K restoration, courtesy of Kadokawa Corporation

Pelechian Project

  • Land of the People | Artavazd Pelechian | Armenia, USSR | 1966 (10 mins.)
  • The Beginning | Artavazd Pelechian | Armenia, USSR | 1967 (10 mins.)
  • We | Artavazd Pelechian | Armenia, USSR | 1969 (27 mins.)
  • The Seasons | Artavazd Pelechian | Armenia, USSR | 1975 (31 mins.)
  • The End | Artavazd Pelechian | Armenia | 1992 (8 mins)

 

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